The Last Revelation Of Gla'aki

  Ramsey Campbell

  First published in Great Britain in 2013

  This ePub edition is version 1.0, released July 2013

  For Steve and Mandy—

  Have you room on a shelf?

  The most famous Victorian rarity may be a stamp—the Penny Black—but it is several times more common than the rarest Victorian book. It is possible that no copy of The Revelations of Gla'aki still exists anywhere in the world.

  The only printed edition was published in nine volumes in 1865, by the Matterhorn Press of Highgate in London. A spurious "Liverpool edition" is unrelated to it, and consists of text fabricated by modern gamesters for use in role-playing games. The Matterhorn set was published for subscribers, supposedly numbering fewer than two hundred, most of whom are thought to have belonged to cults or occult fellowships. It appears to have been the only work published by Matterhorn Press. The founder of the publishers may have been connected with the Ghost Club of Cambridge University, revived in London in 1862.

  The nine volumes are described as "edited, organised, and corrected by Percy Smallbeam." The name is almost certainly a pseudonym. The text is reputedly founded on the contents of eleven volumes composed over an indeterminate period by members of an obscure cult founded at Deepfall Water near Brichester in Gloucestershire. While the original text is said to have been understandably haphazard, it is uncertain how much the Matterhorn edition was rewritten rather than simply reorganised. For instance, the occult writer John Strong claimed that Smallbeam dropped the apostrophe from the name Gla'aki to make for ease of reading.

  The original content was apparently provided by an unidentified defector from the Gla'aki cult, though some sources maintain that the man responsible had been charged with propagating the material. He appears to have approached the Ghost Club for help with publication but was turned down by religious members of the society. Among its founders was E. W. Benson, later Archbishop of Canterbury and father of several writers of supernatural tales, including E. E and A. C. Benson. In his Life of his father, A. C. comments that he "was more interested in psychical phenoemna (sic) than he cared to admit, but would have no truck with the dissemination of occult secrets. A dupe who approached him for aid in the publication of a grimoire or the like was swiftly shown the door." Some have cited this as a reference to the cultist from Brichester.

  The Matterhorn edition attracted no significant comment at the time. It would not be noticed by the public until the 1920s, when the campaign against Aleister Crowley ("the wickedest man in the world") by John Bull and the Sunday Express was at its height. A set of the books had been observed in Crowley's library, and Crowley described it as "an inspiration, the source of many secret truths." John Bull proceeded to attack it as "the most evil book ever published" while the Express exhorted its readers to burn every copy they could find. While the attacks were very largely if not entirely speculative, showing no acquaintance with the content of the books, the journalists were able to condemn the titles of two volumes, On the Purposes of Night (which was reviled as betraying the furtiveness of anyone associated with the books) and in particular Of the Uses of the Dead.

  Most of the edition may have been destroyed as a result of the campaign. Subscribers who were still alive no doubt felt vulnerable and could have been easily influenced, and few if any descendants of the original owners would have cared to be associated with the books. Since then no copies have come to light, and in an unrelated incident the set held by Brichester University was among the volumes destroyed by a student at the turn of the last century. The most evil book, or a lost contribution to the literature of occultism? Like the contents of the Library of Alexandria, it may have passed into legend.

  Leonard Fairman

  Archivist, Brichester University

  (guest columnist, Rarae Aves:

  Bookhunter Monthly, May 2012)

  As the coast road brought him in sight of Gulshaw, Fairman thought this was how a writer must feel: you never knew where anything you wrote might lead you. The fat grey bricks of the small town looked as though the September sky had settled to the earth and grown solid. Beyond a wide church with tall thin arched windows and a squat tower, a line of stocky hotels overlooked a half-mile curve of beach. Behind them houses crowded uphill towards a wood, both ends of which reached down almost to the shore. At the near end of the promenade a town sign stood on stilts over an arrangement of large shells embedded in the pavement. WELCOME TO GULSHAW—SO MUCH MORE THAN SEA! There certainly was, Fairman thought, for him.

  Just now the town seemed to be slumbering. A few families lay on towels on the beach as if they were hoping to bring out the sun. Old folk in wheelchairs drifted along the promenade while parents pushed children in buggies at the pace of the somnolent waves. At the ends of several pedestrian crossings Belisha beacons exchanged somnolent blinks. A Crazy Golf course was in use, though the players weren't much livelier than the statue that appeared to be shading its eyes to watch them as it gazed stonily out to sea. Beyond the hotels Fairman saw amusement arcades jittering with multicoloured lights, souvenir shops wearing bunches of hats, a fish standing as tall as a man to hold a menu in its fins. Close to the far end of the woods a string of cars crawled up the incline of a roller coaster, and a big wheel turned sluggishly for a few seconds before reverting to stillness.

  Fairman slowed down as he passed the Church of the First Word. Though he hadn't been speeding, he felt as if he had, and in any case he needed to find his hotel. There was the Staymore, the Toprooms, the Seaside Dreams, the Kumbak... Eventually he located the Wyleave, a hefty structure with three storeys and a stained-glass awning, near the middle of the row. Across the road graffiti were attempting to bring a Victorian shelter up to date. Fairman drove around the Wyleave to the car park, where half a dozen vehicles took up almost half the space, and trundled his overnight bag into the hotel.

  He suspected that the wallpaper along the corridor leading to Reception had been there before he was born. It was embossed with a pattern of fish leaping out of equally stylised waves, an image no doubt meant to evoke the seaside. The pattern flocked into the lobby, where a woman with silvery curls and a long heavy suntanned face sat behind a massive counter of dark wood. For an instant she looked drowsy, and then she stood up from her desk, her pearl necklace emitting a tiny chatter as it shifted on her embroidered white blouse. "Mr Fairman?" she said, and with a widening smile "I'm Mrs Berry. Call me Janine. Welcome to the Wyleave."

  She held out a hand that proved to be soft and moist and possibly frail, so that Fairman refrained from taking too much of a grip. "I've given you a view," she said. "Can you put your details down for us?"

  He was surprised by how much the registration form required: not just his name and address and the registration number of his car but date of birth, occupation, even next of kin and where to phone them—his father's name and the number of the retirement home. "Such a lot for just one night," Janine Berry said. "Won't you give us more of a chance?"

  "I'd be happy to, but my holiday's arranged."

  "So what's brought you to us?"

  "Books."

  "Of course," she said as though it had been less a question than a joke.

  "We librarians do have other interests too, you know."

  "I expect so," she said, though with a blink that looked a little puzzled, and slapped the nipple of a bell on the counter. "Tom, can you show Mr Fairman up to six."

  The porter was a pudgy youth whose tan put Fairman in mind of batter on a fish, quite possibly a staple of Tom's diet. As he carried Fairman's luggage up a staircase enclosed by the omnipresent wallpaper Fairman tried asking "Been away for some sun?"

  "Not likely,
" Tom said without turning to him.

  Did Fairman sense resentment? Perhaps the tan was artificial. Tom was silent until he unlocked a room on the first floor. "We've got you here."

  As soon as the door opened Fairman could see all the way to the watery horizon. Heavy purple velvet curtains scragged by bands of the same material framed the extensive window. A mauve plush chair sat by a dressing-table surmounted by a wide oval mirror, which was flanked by massive wardrobes of the same dark wood as the reception counter. The double bedspread and the plump headboard kept up the empurpled look. At least the wallpaper was pale blue, and decorated with stylised waves but no fish. While Fairman could live with all this, he was taken aback by the absence of a bathroom. Perhaps the porter saw him frown at the sink in the corner, because he pointed along the corridor at a pair of doors marked WC and BATH. "You'll not be sharing long," he said.

  Once Tom had dumped the case at the foot of the bed Fairman pressed a pound coin into his hand. The clammy palm yielded so much that he thought he'd been too forceful, but the porter didn't react. "Call us if you need us," he muttered before retreating into the corridor.

  Fairman sat on the bed, which emitted a creak and a scent of lavender. As he took out his mobile he heard the sea, a sound like a great protracted sleepy breath. The breath was held while a phone rang somewhere in Gulshaw, and then a mellifluous male voice said "Home of the Gulshaw Players. How can we help you?"

  "Could I speak to Mr Lunt?"

  "I'm your man and no other, and I believe I may be speaking to Mr Fairman."

  "That's so," Fairman said, wondering if he had more of an accent than he imagined. "I'm in town. When might it be convenient for me to come by?"

  "No better time than now. Toddle over whenever you're ready. Anyone will tell you where we are."

  Fairman rather hoped the fellow wouldn't prove to be even more effusive in the flesh. He let himself out of the room and dawdled on the stairs to search for a pocket that might accommodate the brass baton attached to the key. "Don't go lugging that about with you," Mrs Berry protested. "We're always here. If you need us, wake us up."

  "Could you direct me to the Shaw Theatre?"

  "Our only one. Along the front and turn up by the Goodnight. You're on your mission, then." As Fairman granted that, she said "You'll have a look round too, won't you? There's so much more to see."

  Was that a joke about the town slogan or a slip of her tongue? Fairman forgot about it before he reached his car. He couldn't recall having passed a Goodnight, and he found it at the far end of the row of hotels, on the corner of a street that separated them from the amusement arcades. The theatre was halfway up the street, which it divided into lanes that passed on either side. As Fairman parked below it, a couple leading their children by the hand plodded uphill towards him. The boy and the equally sleepy-eyed girl watched him feed coins into a machine that performed a routine of clicks and whirs before producing a coquettish ticket. The children even seemed to find him worth watching while he stuck the ticket inside the windscreen, and he wasn't unhappy to leave them behind as he made for the Shaw.

  A dormant neon sign identified the squat grey building, but not by its original name. The lingering outlines of letters betrayed that it had once been called the Gulshaw.

  On either side of the glass doors a poster advertised THE GULSHAW PLAYERS IN FOR YOU TO SEA, which Fairman thought made no sense. As he tried to open the nearest door a young woman crossed the foyer to admit him, miming more speed than she achieved. "Mr Fairman?" she said with a smile that multiplied creases on her plump tanned face. "Mr Lunt is ready for you. You're to go straight through."

  Beyond the ticket counter a corridor was decorated with posters older than Fairman. He'd squinted at just a couple—the grudging light and the befogged glass within the frames blurred the outlines of the faces—when the door at the end of the corridor swung inwards. "Mr Fairman," the manager boomed. "Frank Lunt. Welcome to the Shaw."

  He was a small man capped with glossy black hair. He wore a lounge suit and a white shirt stretched so tight over his prominent stomach that dark hairs peeked between more than one pair of buttons. His bow tie was as black as his neat moustache, which appeared to be sharing its gloss with his round face. His handshake was somewhat prolonged for Fairman's taste, since it was damp and pliable. "Step in," he urged. "Will you have a drink to celebrate?"

  "I'd better not when I'm driving. Being here is enough of a celebration for me."

  "Not for you alone, sir." Lunt lowered himself into a venerable leather chair behind his broad squat desk while Fairman sat on a pudgy stool. "It's good to meet someone who knows all about our book," Lunt said.

  "I wouldn't say quite all. Only what you read." When the manager looked politely unconvinced Fairman added "Do you mind if I ask how you came by the book?"

  "Father gave it me."

  That was brusque enough to be a warning, especially since it didn't sound like the man's style. Perhaps Fairman had touched on a family secret, in which case he shouldn't pry. "I don't doubt he was right to trust you," he said.

  "I'll say as much for you."

  Fairman supposed he should feel vindicated, but he said "Would you like to see some identification?"

  "No need." Lunt might even have been offended. "Nobody's doubting who you are."

  "Well then, may I see what you've been looking after?"

  "My privilege." Lunt stood up as if he were stretching after a rest, but gestured Fairman to stay seated. "It's here for you," he said.

  Fairman had expected to be taken somewhere else. The safe to which Lunt turned behind his desk seemed hardly large enough to hold nine books, though Fairman had learned from a nineteenth-century auction catalogue that the volumes were small quartos. Having typed on the keypad, the manager pressed a final key so hard that his thumb appeared to swell and flatten, and then he stood back as the door swung ajar.

  The safe was full of papers and, as far as Fairman could make out, nothing else. He had to restrain himself from craning for a better view as Lunt hauled the door wide and reached in. For a few moments that felt longer than a breath Fairman had the odd impression that the man was extending his arm quite a distance. He let out the breath as Lunt produced a small black volume from the safe. "All yours now, Mr Fairman," he said.

  Fairman must look as if he were bowing in obeisance as he rose in a crouch to take the book that Lunt passed him with both hands. It was bound in soft black leather, with a colophon embossed on the front cover. At first Fairman took the image for a spider clutching a ball of its eggs, and then he saw that it showed the world held aloft by a claw with many digits, unless those were meant for the limbs of some creature lurking on the far side of the globe. He was cataloguing the volume in his mind—it was indeed a small quarto, measuring about seven inches by a little over three—but despite his attempt to stay professional, his pulse was quickening. The spine was devoid of any title, and as he turned the cover towards him again the colophon appeared to rise out of its own blackness. "Thank you, Mr Lunt," he said. "You can't know how much this means to me."

  "Just so it's in the right hands, Mr Fairman. That's all we need."

  As Fairman opened the book a musty odour reminiscent of stagnant water rose to greet him. In a breath it dissipated, giving way to the familiar aroma of old paper, though the pages had hardly yellowed. He seemed to taste both smells on the long breath he took as he read the title page.

  Of the World as Lair

  Tome III of the Revelations of Glaaki

  edited, organised, and corrected by Percy Smallbeam

  His hands grew a little clammy, and the covers felt as if they had, while he turned to the first page.

  How many secrets hath the world! Some are hid by water, and so Glaaki may be known to few men but in the dreams He sends ...

  It occurred to Fairman that scarcely anyone alive might have read these words. He could imagine himself reading to the end without looking up, but he mustn't presume on Lun
t's hospitality. He regained some professionalism by noting that while the subscribers weren't named or numbered, this volume belonged to the sixty-first set. He shut the book and saw Lunt closing the safe. "May I have the rest now?" he said.

  "A rest," Lunt said and gazed at him.

  "All the rest." Fairman added a laugh to take responsibility for the mistake. "The others," he said. "The other books."

  "There's what I told you I had, Mr Fairman."

  For a moment Fairman was as bewildered as the fellow seemed to be, and then he was able to laugh afresh. "I don't mean different ones. Forgive me, I'm talking about the rest of this set."

  "We know that."

  "You mean," Fairman said more sharply than he was able to control, "this is all?"

  "I hope you don't think you'd have been brought here if it wasn't worthwhile."

  "Please don't think I'm ungrateful," Fairman resigned himself to saying. "It's a more than welcome acquisition. I'll see that you're named as the donor."

  "No need to single me out, Mr Fairman."

  "Whatever you're comfortable with, Mr Lunt." When this brought no response Fairman said "I suppose we'll never know what happened to the rest, then."

  "You will."

  Fairman had to take a breath before he asked "How shall I?"

  "Go to Dr Stoddart. He's got something for you just like me.

  "You don't mean the rest."

  As Lunt gave him a slow grin Fairman felt as if he'd been made the butt of a ponderous joke. Perhaps it was a local brand of humour if not simply Lunt's, and Fairman couldn't really call it malicious. A number of questions came to mind, but he only said "Would you know his number?"

  "It'll be the surgery, but he's shut for the night."

  "I'd like to try calling to be sure."

  "It's your time." Lunt intoned the number and said "Tell him you're at Frank's."

  A receptionist answered, though only on a tape that hissed like waves. Once she'd recited the surgery hours she provided an emergency number. Fairman didn't feel justified in using this, especially when it mightn't connect him with the person he was after. "Dr Stoddart, I'm Leonard Fairman of the Brichester University archive," he said. "Mr Lunt has just presented me with his valuable addition and says you'll be able to complete it. Let me leave my number and I'd appreciate your giving me a call."